Austrian label and its main producer Syrix has dropped an earth-shaking, yet melodic, dub album filled with versions of hits from some of the artists that have recorded for the label.
On Dub Station Syrix has turned up the bass and let all his creativity flow throughout the label. The version of Luciano’s Hard Road is a booming one with loads of vocals from the original cut. Another killer track is the pulsating version of Anthony B’s Freedom Fighter with its bright horns and Anthony B’s authoritative voice echoing back and forth in the mix.
Dubheads should not sleep on this one.
Almost 15 years ago reissue giants Soul Jazz released the excellent compilation Hustle! Reggae Disco. It’s one of the label’s most popular compilations and has been unavailable for many years.
This ground-breaking compilation has now been reissued with no less than five seminal extra cuts. It now features 13 hip-shaking killer reggae versions of funk and soul classics done in disco style. This set certainly showcases the link between dancefloors in Kingston, New York and London.
This hybrid beast of a compilation comes with dub-styled versions of classics like Anita Ward’s Ring My Bell, Risco Connection’s Ain’t No Stopping Us Now and Sugarhill Gang’s Rappers Delight.
So put on your best dress, your dancing shoes and let your mind go. Because this album is a mind-blowing visit to Studio 54 in Trenchtown.
Rebellious spirit Nattali Rize – founder and singer in Blue King Brown – recently dropped her electrifying debut solo album Rebel Frequency, a twelve track set recorded in Jamaica and Australia using several different studios, including the legendary Tuff Gong.
On the album she is joined by Jah9, Julian Marley, Kabaka Pyramid, Dre Island, Raging Fyah and Notis Heavyweight Rockaz and three previously released singles are included – Natty Rides Again, Generations Will Rize and the acoustic One People. And musically and lyrically these singles are representative for the full album.
Even though the album is recorded in different studios with many different people involved the sonic atmosphere is cohesive with its infectious melodies, pulsating bass lines and pounding drums. Nattali Rize is fierce and vigilant and her socio-political awareness shines through throughout the set.
She transmits her music and messages via a rebellious frequency and aims at empowering people and changing mindsets. According to Nattali Rize the world is in urgent need of a new system. The current one is broken.
Jamaican harmony duo Keith & Tex – probably best known for their smash hit Stop That Train – has just released their new album Same Old Story, an eleven-track set recorded together with ace producer Roberto Sánchez, who is a master in recreating vintage sounds.
Same Old Story is maybe a telling title since the music is classic rocksteady; a genre that made Keith & Tex stars in Jamaica and abroad in the late 60s. The album collects only original material and could very well have been recorded and issued back in the days.
The harmonies are tight and many of the cuts have a melancholic feel to them. And the duo covers themes from broken hearts to the refugee crisis in Syria.
Once again Roberto Sánchez shows that he can create hit sounds for any (veteran) reggae artist. This is music for music lovers.
After being away for several years Inna de Yard is back with a new album and a new label. This beautiful project was in the beginning more than ten years ago spearheaded by Jamaican guitar ace Earl “Chinna” Smith and rendered many excellent tunes, including the late Matthew McAnuff’s dread Be Careful.
The new album features a crème de la crème of Jamaican veteran vocalists, and a few spirited newer ones also checks in.
The Soul of Jamaica is just like the previous Inna de Yard sets acoustic with nyabinghi drumming and transcendental rhythms. Key cuts include Var’s powerful Crime, Bo-Pee’s beautiful Thanks & Praises and Ken Boothe’s versions of his own Let the Water Run Dry and Artibella. Ken Boothe sounds just as great as he did back in the 60s and 70s. It’s quite remarkable.
Conscious music that encapsulates the soul of Jamaica.
Augustus Pablo’s King David’s Melody is a collection of self-produced singles issued between circa 1975 and 1982 and it was originally released in 1983 and has since been reissued several times, often with bonus material.
The latest reissue comes from Greensleeves – a label that has released it two times before – and it collects the original album along with nine extra dubs sourced from the original singles.
This album showcases Augustus Pablo in all his glory. The original album contains mostly melodica-led instrumentals and the sonic landscape is airy and relaxed with uplifting melodies, while the dubs provides a more militant and trippy side of this musical mastermind.
My first encounter with Jamaican vocalist Kristine Alicia was two years ago when she was featured on Rorystonelove’s two one riddim compilations Braveheart and Zeen. She was responsible for two of the strongest cuts on those and I was blown away by her strong and confident voice.
Now her new album has been put out and with this set she relaunches her career with a rootsy sound. And the first single off the album is Roll It, a tribute to all reggae DJs who have helped the genre to reach a global audience. Roll It is easy-going with a laid-back atmosphere. The full album shows a different side of Kristine Alice. A more melancholic side.
Songs From Zion is a stunning set. I dare to say that it’s breathtaking from start to finish and I have had it on repeat for several days.
Rorystonelove has created a full-sounding and dub-infused sonic landscape over which Kristine Alicia sings earnest and sincere. It’s intimate and you can feel every syllable on a track like Key Lock, with its call and response chorus and dramatic production.
Other highlights include the pulsating Valley Song, which is a remake of the classic Cuss Cuss riddim, the bombastic Come Home Natty, where she provides a bit of deejaying, the devout My King and the up-tempo and uplifting Follow with its powerful chorus.
Kristine Alicia, who is a trained pianist and has released a gospel- inspired reggae album, is a remarkable singer and together with Rorystonelove she has created a musical masterpiece.
Jamaican singer Spiritual has been in the music business for many years, but has never released more than a handful of singles. But now his debut album has arrived.
Awakening is a slice of traditional and very well-produced roots reggae. And that’s something that could be expected when he has worked with renowned producers like Bobby “Digital” Dixon and Clifton “Specialist” Dillon.
Spiritual’s singing style lies close to reggae greats like Burning Spear and Culture’s Joseph Hill. And musically he treads the same path – conscious and authentic roots reggae with a high dose of integrity.
The two singles off the album – Time Has Come and Stand Up For Rasta – sum up the album very well.
Singer, producer and multi-instrumentalist I-Taweh recently dropped his second album Judgement, a set following his debut set Overload, which was put out in 2011.
Judgement comes with 16 cuts, including three dub versions. Two of the tracks – Never Fade Away and Herb Treez – have previously been released as singles. The rest of the songs are new. And a number of these are infectious and catchy with tight musicianship.
The strongest cuts are the pulsating Make It (Rainy Day) and the melancholic No Night, a song with a powerful brass section courtesy of horn veterans Dean Fraser and the late Nambo Robinson.
With this self-produced set I-Taweh will hopefully attract a number of new followers.