SoulJazz – a premier reissue label from the UK – have for the past ten years or so put out about 30 albums focusing on one of Jamaica’s most well-known and influential producers – Clement “Coxsone” Dodd and his various labels.
The latest instalment – Studio One Dancehall – Sir Coxsone in the Dance: The Foundation Sound – is SoulJazz’ first reissue from the mighty vaults of Coxsone Dodd to focus solely on dancehall.
When dancehall started to emerge at the dawn of the 70s Coxsone Dodd noticed that several of the young and upcoming producers had their artists performing over re-played classic Studio One riddims. Naturally he also wanted a piece of the pie and brought forward emerging artists to record over his own riddims. The success was instant with acclaimed albums and singles from Freddie McGregor, Johnny Osbourne, Lone Ranger and Sugar Minott, just to name a few.
And this new compilation focuses on that period, a period when Coxsone had singers and deejays riding classic Studio One riddims originally recorded in the 60s. It explores dancehall from a Studio One perspective, which is something rather different from, say, Junjo Lawes slick and polished productions.
Studio One Dancehall has the usual full, warm and organic sound, and it’s far from polished. It’s rough and raw, but at the same time innovative and creative. Lots of rare cuts, some in their extended version, are included – Green Tea & Chassy’s Getto Girl, Field Marshall Haye’s Roots and Herb Style, DJ Dawn & The Ranking Queens’ Peace Truce Thing and Brentford Disco Set’s Rebel Disco, are a few that at least I haven’t come across before.
This is yet another successful release from the SoulJazz camp and it comes as CD, digital download and triple LP.