For this year’s Record Store Day, Reggae Archive Records released a limited edition vinyl version of Black Symbol Present Handsworth Explosion Vol. 2. Now, ahead of the release of a CD combining both volumes, they have put out Black Symbol Present Handsworth Explosion Vol. 1, and once again it’s available in its original format – vinyl.
And just as with the second volume, the original of this release suffered from limited distribution and the original release sold in scarce numbers. Today it’s heavily sought after and fetches around £100 on the collectors market.
For this ten track compilation Black Symbol provided four other Handsworth (an area in Birminghm) based bands the opportunity to record their songs in a proper and well-equipped studio and then gave them a platform with this album, and each band get two cuts to showcase their talents.
The sound is rough and sparse and most tracks are underpinned by heavyweight backing tracks. Sceptre’s Ancestors Calling is one of the brightest moments with its refreshing female lead – alternating singing and deejaying – and deep bass line.
Then you have Truth & Rights, a crew that doesn’t sound British at all. Their New Language is a fine slice of early Jamaican dancehall in classic Henry “Junjo” Lawes style, and Saddest Moment, is a bit similar to Wayne Smith’s Prince Jammy-produced Time is a Moment in Space.
Also included is Burning Spear-influenced reggae, as on Black Symbol’s Spiritual Reggae, and the smoother sound of Gerald Love, who offers a slightly more polished approach and a more commercial feel.
This is classic roots demonstrating the quality of what Birmingham had to offer the reggae scene in the early 80s. Unfortunately it was overlooked at the time, and this is a well-deserved and long overdue reissue.