Tag Archives: Louisa Marks

Carroll Thompson’s seminal debut album reissued

UK lovers rocker Carroll Thompson’s debut album Hopelessly in Love has recently been reissued by SoulJazz Records. It was – just like Louisa Marks’ debut album Breakout – originally released in 1981 and has become something of a landmark in the lovers rock genre, even though the term wasn’t coined at the time.

Hopelessly in Love was preceded by chart toppers I’m Sorry and Simply in Love – both included on the album – and the whole set carries the same tender vibe as those tracks.

The riddims are easy-going, laid back and will make your head nod back and forth in a sensual style as well as making you and your partner stay up all night long and rub shoulder to shoulder until the skin starts to feel warm and sensitive.

The real peak of the album is Sing Me A Love Song, a track that could have been written by Holland-Dozier-Holland and recorded at Motown in the 60’s. It has breezy horns, pulsating bass line and smooth backing vocals.

Hopelessly in Love is released with original artwork and tracklisting and is available on vinyl, CD and digital download.

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One of the best lovers rock compilations yet

Song titles such as It Must Be Love, Thinking of You and I Love You give a hint of what lies behind the album title Harmony, Melody & Style – Lovers Rock & Rare Groove in the UK, one of Soul Jazz Records’ recent compilations.

You probably guessed the genre – lovers rock. A British style of smooth reggae kick-started in the mid 70’s with Louisa Marks’ Caught You in a Lie.

Fusing the tough bass lines and relentless drum patterns of Jamaican reggae with U.S. stylish soul, elegant R&B and pulsating disco and funk rhythms, lovers rock almost became the antithesis to the dread riddims and conscious lyrics that reigned the Kingston and London sound systems at the time.

Lovers rock was an escape from the tough urban jungle of London and other big UK cities marked by racism and tough financial conditions. It was way a expressing heartaches and relationships as well as a tool for female vocalists to make themselves heard, and lovers rock is truly dominated by women, also manifested by the track list of this compilation – only five out of 25 tracks are sung by men.

Harmony, Melody & Style moves from some of the earliest cuts in the genre to its commercial explosion in the late 70’s and early 80’s to being an underground phenomenon in the 90’s.

The album includes classic tunes and ones rare as a hen’s teeth. Several of them are also extended, providing plenty of space for the mixing engineer and the players of instruments to shine. Just listen to the last one and a half minute of La Famille’s cover of Mary Jane Girls’ funky All Night Long. The interplay between the saxophone and trumpet is sublime.

The extensive liner notes – about 40 pages – is written by Soul Jazz Records’ founder and boss man Stuart Baker. It contains photography dating from the 50’s to the 80’s along with interviews and features on the artists, musicians and producers who helped define lovers rock and put it on the global music map.

Harmony, Melody & Style may not be the definitive lovers rock compilation since smash hits such as Janet Kay’s Silly Games and Brown Sugar’s I’m in Love With a Dreadlocks are missing. But those tunes can be found on almost any lovers rock compilation, and it’s a clever choice focusing on a less obvious collection of tracks, tracks just as great, but less known to other than hardcore collectors.

The album is available as a double CD pack with slipcase, digital download and as limited edition two gatefold sleeve double vinyl sets. The vinyl edition might be a bit expensive, but the investment is definitely worthwhile.

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