Captain Sinbad in Jamaica where his new album was recorded.
Captain Sinbad’s debut album The Seven Voyages of Captain Sinbad from 1982 is one of my favorite early deejay dancehall albums. And despite its greatness and eye-catching cover sleeve, Captain Sinbad is rather unknown in the reggae music business compared to some of his contemporaries.
He recorded another two albums and a number of singles in the 80’s and then went on to producing and being an important figure behind the scenes.
His new album Reggae Music Will Mad Unu! is his first after being away from the limelight for a very long time. To do another album, or to record again for that matter, Frenchie of Maximum Sound had to persuade him back into the studio. His initial new singles Jamaica 50, Worldwide Rebellion and Capital Offence went down really well among the record buyers.
I had the opportunity to have a chat with Captain Sinbad when he was in Jamaica “having fun in the sun” as he described it. He’s one of the nicest people I’ve ever interviewed and we talked about the new album, the early dancehall scene and his respect for Frenchie. Check the full story over at United Reggae.
About ten years ago I stumbled upon an LP with a wicked cover sleeve in a record shop. I knew the label, Greensleeves, and the producer, Henry “Junjo” Lawes, but I had never heard of the artist – Captain Sinbad.
Judging by the cover, the producer and the label I bought the album. And I was blown away. Completely. Apart from The Seven Voyages of Captain Sinbad I haven’t found any of this deejay’s scarce output. The man also retired from the limelight about 20 years ago. Fortunately enough Frenchie of Maximum Sound has persuaded him back into the public eye.
His first recording after these 20 years was the lethal Worldwide Rebellion on the Skateland Killer riddim released two years back. And last year he dropped the equally lethal Capital Offence and Jamaica 50.
These three eminent tracks are now followed by an album – Reggae Music Will Mad Unu! – for Frenchie’s Maximum Sound imprint. It collects eleven fresh and original tunes, of which five are vocal cuts, five are dub versions and one is a vocal and dub in one.
Just like Captain Sinbad’s debut album it has magnificent cover art and the music is, again, just as great. Frenchie has taken hip-hop, roots and early dancehall and made one hell of an album. It’s crisp and clear and sounds like Henry Lawes would have resurrected from the dead and started to produce again. It’s vintage, but never nostalgic. This is how contemporary reggae and dancehall should sound.
Reggae Music Will Mad Unu! is available on vinyl. The album will also soon be made available on digital platforms, but that edition has a different track listing and doesn’t include the dub versions, versions that are crucial to say the least.