Jamaican harmony duo Keith & Tex – probably best known for their smash hit Stop That Train – has just released their new album Same Old Story, an eleven-track set recorded together with ace producer Roberto Sánchez, who is a master in recreating vintage sounds.
Same Old Story is maybe a telling title since the music is classic rocksteady; a genre that made Keith & Tex stars in Jamaica and abroad in the late 60s. The album collects only original material and could very well have been recorded and issued back in the days.
The harmonies are tight and many of the cuts have a melancholic feel to them. And the duo covers themes from broken hearts to the refugee crisis in Syria.
Once again Roberto Sánchez shows that he can create hit sounds for any (veteran) reggae artist. This is music for music lovers.
With a sturdy 19 tracks there’s not a dull moment on Soul Jazz’ second installment of Studio One Rocksteady, although some of the tracks have previously been featured on countless of other albums. I’m talking about well-known songs like Alton Ellis’ I’m Still In Love With You, Slim Smit’s Born To Love and The Heptones’ I Shall Be Released.
The title is however slightly misleading since the album draws both Studio One’s deep rocksteady and early reggae vaults. And it offers a sweet mix of staples and obscure singles. Best of the bunch is The Termites’ pulsating Rub Up Push Up, Carlton & The Shoes’ melancholic Never Let Go, Cannon & The Soul Vendors’ bouncy instrumental Bad Treatment and The Actions’ up-tempo Giddy Up.
Studio One Rocksteady 2 includes a number of cuts that helped to shape reggae to an international phenomenon.
In December Japan’s Dub Store Records put out another scarce rocksteady gem. ABC Rocksteady was originally released in 1968 in Jamaica and the UK with different sleeves. This reissues comes with the Jamaican and slightly more colorful sleeve.
The set includes instrumental versions of some of producer Sonia Pottinger’s greatest rocksteady cuts and all features ex-Skatalite and saxophone maestro Roland Alphonso as arranger and musician.
Hip Hug Her is a slice of funky rocksteady while Wild and Free is almost like a big swing band playing. The flute on Narata adds brightness and the tracks like That’s Life and Sad Song feature killer organ work.
A must-have set for anyone interested in great music.
From Japan’s eminent Dub Store Records comes another epic rocksteady compilation and yet again it shines light on Jamaica’s Federal Records and producer Ken Khouri.
Merritone Rock Steady 2: This Music Got Soul 1966-1967 collects a hefty 21 cuts including novelties such as The Federal All Stars’ Merritone False Starts 2 and a rehearsal version of Lynn Taitt & The Jets’ version of the Batman theme.
But the real gems on this superb and sweet set are the vocal groups and their beautiful, yet sometimes a little rough around the edges, three-part harmonizing. Check for example The Tartans’ catchy Rolling Rolling, with its intense keys, or The Zodiacs’ Walk On By, with its lingering guitar and strong chorus.
60 minutes of early rocksteady. It’s the birth of reggae music.
Following two epic rocksteady compilations showcasing Derrick Harriott comes a set spotlighting a somewhat lesser known producer – Ken Khouri and his Federal Records.
Ken Khouri was a talented entrepreneur and started in the music business in the mid-50s. He opened the first record manufacturing plant in Jamaica and his studio helped to create ska, rocksteady and reggae.
Ken Khouri is not as well-known as some of his peers – including Coxsone Dodd and Duke Reid – but his output was superb as showcased on Merritone Rock Steady 1: Shanty Town Curfew 1966-1967, a set collecting a hefty 21 tracks ranging from frenzied ska to the softer rocksteady.
It features a selection of vocal cuts and instrumentals and some are probably well-known, but most are – at least to this writer – new. And as usual with Japan’s Dub Store Records the audio quality is superb and most of the tracks are sourced from their master tape.
Highlights include two scorching cuts from The Tartans – Dance All Night and What Can I Do. The tracks are quite similar with a frenetic piano setting the tone. When this quartet split up three of the singers – Prince Lincoln Thompson, Cedric Myton and Devon Russell – would pursue international careers as both solo artists and as part of The Royal Rasses and The Congos.
The extensive liner notes feature extracts from extensive interviews with Paul Khouri whose knowledgeable recollections of working with Federal Records, not only as a producer but as an engineer and musician, are enlightening and educational.
The second volume of this superb compilation is released on October 28.
Legendary Trinibagoan guitar ace Lynn Taitt is one of the key architects in rocksteady and reggae and played on countless of sessions in the 60s and 70s. And he also has a number of tunes and albums credited to himself.
One of those is the rare and recently reissued Greatest Hits, originally issued in 1968 on the Merritone label. On this beautiful set he has arranged instrumental versions of rocksteady classics, cuts which he graces with his tuneful guitar playing.
But this set offers more than just magnificent guitar licks. Several tunes also come with spectacular horn blasts and horn solos.
This is the swinging and hip-shaking sounds of the 60s.
New York quartet The Frightnrs – nowadays a trio since singer Dan Klein tragically died on June 9, 2016, from A.L.S. – celebrates the soul of rocksteady on their debut album Nothing More To Say, a set following their dark EP Inna Lovers Quarrell, which was released via Diplo’s label Mad Decent last year.
Nothing More To Say was recorded last year, prior to Dan Klein’s A.L.S. diagnosis. Dan Klein sings about aching love and lost relationships, and these themes now gain second meanings, making reference to a lost life, a life that was too soon.
Dan Klein’s pleading, vulnerable voice – sometimes singing with a captivating falsetto – suits the melancholic melodies and raw and stripped down rhythms very well. He and his three bandmates treat rocksteady with respect, care and devotion and together with producer Victor “Ticklah” Axelrod they bring vintage sounds to a new generation.
This is the first reggae album released on Daptone Records, home to Sharon Jones and several soul bands and singers. And hopefully more releases like this will come.
But for now, I have nothing more to say than just get this charming and mesmerizing album. It’s painful and sweet at the same time. Just like rocksteady should be.
After reissuing the epic Derrick Harriott’s Rocksteady Party Japan’s Dub Store Records returns with a compilation collecting both stone-cold classics and rare collector’s items from Derrick Harriott’s vaults.
Derrick Harriott Rocksteady 1966-1969 showcases masterpieces such as Derrick Harriott’s own Do I Worry, Keith & Tex’ Stop That Train and Tonight alongside beautiful instrumentals like Ike Bennett & The Crystalites’ Illya Kuryankin and Bobby Ellis’ Step Softly. The selection also features three obscure cuts from Junior Soul, who would later score a hit with Police & Thieves as Junior Murvin.
Derrick Harriott is one of the forerunners in Jamaican music and started his career as a singer in the late 50s and would soon find fame as part of the Jiving Juniors. Later he turned to production and his recordings have always been crisp and elegant.
This stellar compilation collects timeless, melodious and stylish rocksteady produced by one of Jamaica’s many musical giants.
When I started listening to reggae some 20 years ago my first love was rock steady and one of the many holy grails I wanted in my music collection was Derrick Harriott’s Rock Steady Party, a twelve track various artists compilation from around 1967. Unfortunately a copy has always been way too expensive for my finances. Up until now.
Because the stars over at Dub Store Records has reissued this sublime collection of hits in its original version. It’s a faultless set and every cut is a certified gem. Derrick Harriott has produced the album and also sings on five tracks, including the beautiful and melancholic album opener Walk the Streets.
This is rock steady at its very finest. Close harmonies, sweet melodies and smooth grooves. It’s all there and expertly crafted by legendary musicians like ace guitarist Lynn Taitt and trumpet maestro Bobby Ellis.
U.S. singer Jr Thomas has together with The Volcanos dropped an absolutely astonishing debut album. Jr Thomas – bred on a diet of 60s and early 70s rocksteady and early reggae artists – has a passionate vocals and is no stranger to beautiful minor key melodies.
All 16 cuts on Beware echoes from a time when the Jamaican music scene was starting to take form. The album has a sound firmly based in the mid to late 60s, just when smooth and slick rocksteady was making way for the more up-tempo early reggae sounds. Producers like Phil Pratt, Bunny Lee and Leslie Kong would probably hear themselves in these songs.
The sound is warm and organic and it’s soulful to the bone with sizzling organs, picking guitar and infectious melodies.
Beware certainly pays respect to one of the best eras in the history of Jamaican music.