Tag Archives: Tribute albums

All-star line-up pays tribute to Gregory Isaacs

Gregory Isaacs – who passed away last year – is one of the greatest voices in reggae music ever. Always relaxed, laid-back and almost nonchalant in his tone. It is for a reason why he went by the name The Cool Ruler, which was also the title of one of his self-produced albums in the 70’s.

Saxophonist and producer Dean Fraser was a friend of Gregory Isaacs and he is also the producer behind the Gregory Isaacs tribute album We Remember Gregory Isaacs.

This double album has 16 contemporary reggae artists paying tribute to Gregory Isaacs’ on one disc and Dean Fraser going wild with his saxophone on the other.

Most of the artists on this compilation weren’t born when these beautiful songs were originally recorded in the 70’s and the 80’s. But that doesn’t really matter. Because this set doesn’t want to imitate the original versions. This is contemporary and polished one drop reggae.

That’s the main problem – too smooth versions of mostly Gregory Isaacs’ lovers rock efforts. We Remember Gregory Isaacs could have been a little rougher around the edges.

Busy Signal’s version of Hard Drugs is the strongest cut. It’s not up-tempo, but it has a certain energy that the whole album could have needed.

The best Gregory Isaacs tribute so far is the Irie Ites-production Oh What a Story on a relick of the Soon Forward riddim. The Tamlins, Naggo Morris, Trinity and Dillinger sings and deejays in fine style.

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Bushman is the Bush Doctor

Tribute albums are not particularly common in reggae music. And I am not that fond the idea either. It is often hard to make justice to the original versions. But sometimes you get surprised. The new album from BushmanBushman Sings the Bush Doctor: A Tribute to Peter Tosh – is one such.

The late Peter Tosh was part of the original Wailers in the 60’s and early 70’s. But he and Bunny Wailer left and started their own solo careers. Peter Tosh had done some recording on his own prior to his demise from the group, for example Them A Fe Get A Beatin’ and Maga Dog for producer Joe Gibbs. He had also proven himself to be a great lyricist and songwriter in the Wailers.

I have always thought that Peter Tosh has been put in shadow compared to Bob Marley – of course – and Bunny Wailer. His first two albums Legalize It and Equal Rights are downright excellent.

Therefore I think that Bushman has chosen a great artist to pay tribute to. And he does it very well. Bushman’s deep, sometimes nicely nonchalant, tenor voice suits Tosh’s militant compositions very well. Bushman is not as rugged as Tosh, but it is compensated by sincerity and soulfulness.

Bushman Sings the Bush Doctor: A Tribute to Peter Tosh is mainly produced by Donovan Germain, always a safe card for great production. And this album is no exception. The production is warm and modern, but still close to the original versions. Maybe because some foundation musicians are involved.

Bushman has chosen 15 compositions for this album, mainly taken from Tosh’s’ albums in the 70’s. Some are expected, like classics Legalize It and Downpresser Man, while other choices are more surprising.

The bubbling disco groove in Buk-In-Hamm Palace is one of Tosh’s more accessible moments and Bushman’s version just toughens the bass line a bit. On the soul drenched and upbeat Don’t Look Back, originally performed by The Temptations, Bushman has invited Tarrus Riley, instead of Mick Jagger as Tosh did. Luckily enough the 80’s sounding sax solo is still with us.

Even though the track list is exquisite I miss tunes such as Burial and I am the Toughest, another of Tosh’s signature tunes.

This is surely a great album and an impressive tribute to one of the many greats of reggae music.

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