Sylford Walker’s dread and eerie debut album Lamb’s Bread was recorded in the late 70s for producer Glen Brown, but never issued until 1990 when Greensleeves picked it up at a time when ragga was started to running to show.
Needless to say it sank into obscurity until Blood & Fire reissued it as Lamb’s Bread International ten years later to wide critical acclaim. That reissue was paired with Welton Irie’s Ghettoman Corner, an album with cuts voiced over the same riddims used for Lamb’s Bread. Lamb’s Bread International was a bomb, but it has been unavailable since its release.
Luckily, Greensleeves has picked up the album once again and once more its paired with Ghettoman Corner. This time both full-lengths are collected in their entirety. Only on the CD version though.
The se glorious sets collects some exceptional, militant and uncommercial roots music with prophetic warnings and apocalyptic messages. The CD version comes with killer cuts like Sylford Walker’s Lamb’d Bread, Chant Down Babylon, Give Thanks and Praise to Jah and Cleanliness is Godliness along with Welton Irie’s own Lamb’s Bread International, Ghettoman Corner, Stone a Throw and Wicked Tumbling.
Sylford Walker can be compared to Burning Spear, but his singing style is even rougher and the soundscape Glen Brown created for these recordings is far more haunting than anything The Spear has recorded.
A while ago I wrote about two exciting dub releases from LA’s Dub Club, aka producers Tom Chasteen and Tippa Lee. The vocal counterpart has just hit the shelves and it’s even better than the initially released dub albums.
Foundation Come Again collects 20 tracks voiced by 21 Jamaican sound system legends and one newcomer, Natty King. The album is solely based on relicks of a number of immortal and scorching riddims, including gems such as Heavenless and Drum Song, both originally recorded at Studio One in the 60s, and versioned abundantly in the days of early dancehall, when some of the icons on this album had their heydays.
But it’s not only the music that gets a relick, some of the artists reuses lyrics originally sung in the 70s and 80s. Lone Ranger, for example, uses some of the lyrics from his Sat Upon the Rock, and Welton Irie, checks lyrics from his dark and grim Jah Come.
The musicians – especially the riddim section – involved in this project take a relentless taking-no-prisoners-approach to executing the pulsating and thumping riddims into deadly sonic punches. And there are so many highlights on this album I really don’t know where to begin or to end.
You have the ghostly chanting from Dillinger on Around the World, Little Harry’s fiercely aggressive Revolution or Brigadier Jerry & Ranking Joe’s hypnotic head-nodder Meditation Trance. Then there’s 17 other almost equally as great tracks by icons such as Big Youth, Trinity, Jim Brown, the late Ranking Trevor and the sadly under-recorded Tullo T.
Foundation Come Again is definately not your ordinary album of relicks. This one is something else.