Tag Archives: Yankees A Yard

Bost & Bim’s reggae mash-ups are the bomb

About two years ago I wrote a serie of articles about reggae mash-ups, i.e. songs with a non-reggae a cappella set to a riddim.

Among the people I interviewed were French production duo Bost & Bim. They had just released the third edition of their Yankees A Yard mixtape series, a series where they mostly use hip-hop and R&B vocals and put it over self-produced riddims.

Now they’ve put out the third compilation in another series – The Bombing. The Bombing collects a number of the mash-ups utilized on the Yankees A Yard mixtapes, but this time in its full-length version.

The Bombing Vol. 3 hosts twelve cuts and vocalists such as Justin Timberlake, Pink and Usher with their club bangers My Love, Get This Party Started and Love in This Club.

The vocals fit perfectly to Bost & Bim’s bubbling, pulsating and bouncy riddims.

With the Yankees A Yard and The Bombing series Bost & Bim have managed to captivate the spirit of both reggae and hip-hop, and hopefully this Trojan horse strategy helps to spread reggae to a wider audience.

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Bost & Bim thirst for a cappellas

Bost & Bim is a French production duo that makes mashups based on self-produced rhythms. They’ve produced a series of mashup mixtapes under the name Yankees A Yard, and in June they released the third edition.

Matthieu Bost, one half of the duo, writes in an e-mail to Reggaemani that the most important thing is that the songs used for the mashup are in tune.

− It may seem obvious, but it’s not always the case. Also important is that the new tune changes the mood of the song. The more the better. We prefer to hear Eminem on Benny Hill music rather than on another hip-hop instrumental. Or a minor tune turned into a major.

Matthieu thinks that reggae is particularly good for mashing with other genres because it often changes the perception of the song. It makes you hear it in a new and different way.

Can’t see the woods for all the trees
The Bost & Bim mashups have made reggae fans interested in singers from other genres. He brings up a familiar example.

− For example, a lot of reggae fans have asked us “who is Usher? This singer is wicked!”. They’ve surely heard him a lot, but never realized that his songs are good because of the music, writes Matthieu.

He also writes that a lot of people have told the duo that they don’t like reggae, but like their mixtapes.

What a mashup producer needs
The main ingredients on the three volumes of Yankees A Yard are reggae rhythms combined with hip-hop and RnB voice tracks. However, the duo has also tried their hand on artists such as Daft Punk, Femi Kuti and The Beatles. Matthieu explains why they’ve chosen these genres.

− First of all because we like the music, especially hip-hop. Secondly, because in hip-hop and RnB it’s tradition to put the vocals on vinyl and, nowadays, also in the mp3 package. This is not the case in other genres. For the same reasons, we are very glad when we find a cappellas from other genres.

And if there’s something that a mashup producer needs, one thing is clearly more important than others.

− A cappellas!!!!

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This is the first part of Reggaemani’s series on mashups. Next up is an interview with NYC-based dj and producer Max Tannone.

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Interview series on mashups

There has been several massive mashups lately. Therefore Reggaemani will start a interview series on this phenomenon.

Starting the series is French duo Bost & Bim aka The Bombist crew, who are responsible for the Yankees A Yard series.

Then we move over the Atlantic and focus on Max Tannone, dj and producer of several great mashups. He recently released the huge album Mos Dub.

The series ends with Al Fingers – a musician, producer and dj from London. He has done some really interesting mashups, for example Cher over the classic Declaration of Rights riddim.

Stay tuned.

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