Tag Archives: Full Up

Bunny Lee’s early reggae period showcased on new compilation

Layout 1 (Page 8)What if I’d tell you there’s a new Bunny Lee compilation out. You would probably say something like “Whaaat, hasn’t his stuff been recycled enough already!?”. That’s a fair point.

But, what if I’d tell you that this new compilation titled Full Up is actually different than most recently released albums bearing Bunny Lee’s name and credentials.

Bunny Lee has been in the music business since the 60s and his productions has been compiled many, many times before. Sometimes the same tunes as always but with a new packaging. And that’s no surprise since he has for many years now been one of the cornerstones of Jamaican reggae business.

On the Pressure Sounds’ 85th release they have collected a set of tunes that reflect Bunny Lee’s post rocksteady productions and pre roots era. The four years from 1968 to 1972 were productive and fruitful and consolidated his reputation as one of Jamaica’s premier producers.

Full Up offers a fine selection of  swinging instrumentals mixed with some early vocal productions and a few overlooked vocal gems from singers, deejays soloists and bands like Bunny Lee All Stars, Dave Barker, Delroy Wilson, Tommy McCook, Joe White, Stranger Cole, U Roy, Pat Kelly and The Hippy Boys. And several of the cuts come in different shapes and colours, something that give the album a nice bit of variety.

Bunny Lee is a musical hitmaker from Jamaica and on this album he showcases 21 tracks, of which many are taken from the original master tapes, so the audio quality is solid throughout. Included is also excellent liner notes from Diggory Kendrick describing Bunny Lee and his modus operandi.

Today when the reissue market is flooded with mysterious reissues, often of material from Lee Perry and Bunny Lee, it’s easy to dismiss them. But don’t make that mistake with Full Up. This album is excellent all the way. As always with Pressure Sounds one might add.

1 Comment

Filed under Record reviews

Several new releases from Curtis Lynch

UK-based producer Curtis Lynch has managed to release a bunch of releases already in the new year. Started on January 11 with Chantelle Ernandez and her nice lovers rock EP My Forever and continuing with a relick of one of the most versioned riddims ever – Pass the Kutchie, originally titled Full Up and recorded at Studio One. It features vocals from the Mighty Diamonds, Yellowman, Mr. Williamz, Tippa Irie, Kasi and Franz Job.

But that’s not all. The Necessary Mayhem camp has also managed to put out the first release in their “Company Policy” series. It’s a 12” release (also available as legal download) with one side from the late Dennis Brown and the other from ex-Aswad singer Brinsley Forde.

The tunes are not on the same riddim though. The Dennis Brown cut is a version of his Deceiving Girl produced by Augustus “Gussie” Clarke in the early 80’s, and included on the Judge Not album with the late Gregory Isaacs. Brinsley Forde rides a relick of another Gussie Clarke production – the mighty Rumours riddim. Both tunes are served with its dub version.

Curtis Lynch is a reliable source for great reggae music and with these new releases you can expect the usual – ear blowing heavy bass lines, electronica influences and added sound effects.

1 Comment

Filed under News